RSS

Category Archives: Guest Blogger

Guest Blogger: Dr. Katherine Ramsland: The Unique Allure of the Scene of a Crime

 

Visits to murder sites reveal more than mere curiosity.

There’s been a lot of attention lately on why people love true crime. I can recall when publishers considered the subject a waste of their time. Suddenly, it’s big business. Psychologists are weighing in, mostly guessing at the motivation. I’ve seen no representative studies on the topic, but I’ve been among true crime fans for more than two decades, so I can speak anecdotally.

I don’t think it’s because, as one expert put it, people are fascinated with evil. That’s just a superficial sense of something deeper. Crime is specific. The fascination is not with evil itself but with the formation of the motivation to harm and the development of a mind that can think up twisted and cruel treatment of others.

Extreme behavior is difficult to fathom, especially the cold-blooded kind, and TC fans want to try to understand. Women, especially, are attuned to motives and to victim predicaments. They enjoy feeling compassion and empathy. Sometimes, they identify with the woman who snaps or plans revenge.

The intensity of emotion typically involved in murder, whether a domestic homicide or a mass killing, draws us out of everyday dullness. We focus. There’s a heightened sense of suspense and thrill. For some, it also involves the cycle of being scared by what happens in the story and then feeling safe.

Another expert said that the current interest in true crime is driven by the 24/7 news cycle. It does play a part. When news anchors hype crimes with over-the-top coverage, the networks that broadcast “all crime all the time” will scoop up the story. The media certainly contributes, but possibly only to stoke a spark that is already present. The news covers other areas of life every day that don’t become obsessions; true crime stands out. So, it’s not just about 24/7 news.

We get closer to the embrace of TC when we study the core narratives that turn up in one presentation after another. Most TC books, documentaries, and TV series build up to the same resolution. They present the lure of a puzzle, provide guidelines for protection and preparation, and resolve tension by showing how the perpetrator was caught (often by being outsmarted) and punished. Thus, TC narratives play on our desires for catharsis, safety and closure. We enter through the intrigue of mystery and exit feeling better, sometimes even smarter.

Perhaps there’s an evolutionary benefit, as some psychologists suggest, in terms of making us pay better attention to dangers in our environment. Whenever I teach a course on serial killers, multiple students tell me they now lock their doors and notice people around them. But I don’t think this fully explains the fad. It’s true that TC has always fascinated, but recently it’s become much more of a cultural obsession. There’s an emotional payoff that’s become a collective pursuit.

True crime lets us experience anxiety and fear in a controlled way. It’s not happening to us, but we can work our way through it. People gawk at terrible things sometimes for reassurance. We can let ourselves imagine monsters coming for us because they can’t really get us. We purge fear within a frame of safety. As the TC community grows, we can share our “guilty pleasure” and form groups that reinforce the payoff.

Although a small sliver of the TC fan community seeks the bloodiest, most disgusting images they can find, most immerse themselves, then and get out. They’re interested in human behavior, not a gore-fest.

This brings us to visiting actual murder sites. I once wrote a travel column about tourable murder sites and I’m currently creating a presentation about “Dark Tourism.” This involves looking for sites that people visit who want to see where a murder happened: The steps of Gianni Versace’s former South Beach home, for example, where Andrew Cunanan gunned him down, or the clock tower at the University of Texas at Austin’s campus from which Charles Whitman picked off targets in August 1966 until police killed him.

It may sound morbid, but getting close to the intense energy of disturbing events initially evokes a rush. The energy of madness, anger, lust, or jealousy seems to pervade the place. People linger outside the “Amityville Horror” house where Roy Defeo shot his entire family, the home in Ohio where Jeffrey Dahmer killed and buried his first victim, and the former boarding house where kindly Dorothy Puente murdered men for their welfare checks and buried them in her garden.

In some cases, there are tours. In London’s Whitechapel neighborhood, expert guides will take you to where Jack the Ripper allegedly killed at least five women in 1888. In Wisconsin, there’s a Jeffrey Dahmer tour, and in Los Angeles, you can take any number of tours to infamous places, like where the Black Dahlia’s body (parts) were placed, where Nicole Brown Simpson was killed, or where the Hillside Stranglers dumped their victims. In Chicago, there’s an H. H. Homes tour (“The Devil in the White City”), although his actual murder castle is long gone.

You can see Lizzie Borden’s infamous former house just by walking by it in Fall River, Massachusetts, although it’s worth taking the tour inside – or getting a room. You can also see the JonBenet Ramsey murder house and the house in Villisca, Iowa, where a sensational mass murder occurred a century ago. Now it’s a museum. Another museum graces the Jesse James Farm in Kearney, MO, as well as the Sarah Winchester House in San Jose, California. Frank Lloyd Wright’s tourable Wisconsin estate, Taliesin, was the scene of a massacre in 1914.

Savannah, Georgia, hosts several genteel homes in which murder occurred. The most famous is Jim Williams’ Mercer House, the setting for Midnight in the Garden of Good and Evil, which is open to tours. Then, there’s the murder-suicide in poet Conrad Aiken’s former home. Many of the ghost tours in the historic area describe criminal incidents, but Savannah has also added a few TC tours.

New York, New Orleans, Chicago, San Francisco – practically any large city has a crime history that lends itself to tours or museums. People go to experience the details of the horrendous acts by getting as close as possible to the physical setting.

I said above that, initially, there’s a rush. This often gives way to reflection and sadness. At the sites, people learn more about the victims than they typically know. When I stood in front of the homes where Dennis “BTK” Rader killed his victims, I thought a lot more about them than about him. Whatever one might have learned from offender-centered media, the sites themselves usually humanize the victims and invite us to imagine their plight. It’s about lore, not gore.

Dr. Katherine Ramsland is a professor of forensic psychology and the assistant provost at DeSales University in Pennsylvania. She has published over 1,000 articles and 65 books, including The Psychology of Death Investigation, Forensic Investigation: Methods from ExpertsConfession of a Serial Killer: The Untold Story of Dennis Rader, the BTK Killer; The Mind of a Murderer; The Forensic Science of CSI; Inside the Minds of Serial Killers, and The Forensic Psychology of Criminal Minds. She presents workshops to law enforcement, psychologists, coroners, and attorneys, and has consulted for several television series, including The AlienistCSI and Bones. She also writes a regular blog for Psychology Today and has appeared on 20/20Dr. Oz and numerous crime documentaries for the ID and Oxygen Networks.

Originally posted on the Psychology Today website:

https://www.psychologytoday.com/us/blog/shadow-boxing/201907/the-unique-allure-the-scene-crime

 

Guest Blogger: Roger Angle: How To Avoid Getting Lost In The Woods

HOW TO AVOID GETTING LOST IN THE WOODS 

By Roger Angle
Author, “The Disappearance of Maggie Collins”

When I first started writing novels, I was used to creating literary short fiction. I’d begin a story with a line that came to me, or with an image in my mind, without much else. I’d follow the story wherever it led me, like a dog following a scent. 

That worked OK for short fiction, but when I started writing novels, I’d often follow the scent for 175 pages or so and then realize I had not yet found a story, not even close. I had gotten lost in the woods. 

So, I asked myself, how do you avoid that? 

My answer was to plot out the major turning points in the novel:

  1. The triggering event or call to action. 
  2. The big story problem: Will James Bond defeat Dr. No? 
  3. The point of no return, where the hero or heroine commits to the action and can no longer turn back. 
  4. Deep doo-doo, where the hero gets in up to his neck in alligators. 
  5. The struggle to survive or to win with several reversals. Looks good, looks bad, looks good, etc. 
  6. The climax, win or lose.  
  7. The hero returns and everything is hunky dory again.

No matter what outline you have in mind (and there are many), you need to find a way to structure your story, both to lead your reader from one plot point to the next and to keep your own eye on the ball. 

My answer is to write each chapter in such a way that you drive toward a goal, toward a plot point or turning point that will end the chapter and propel the reader onward. Hollywood writers sometimes call this a “button line.” In newspapers, we used to call it “a kicker.” 

For example, suppose your main character is a middle-class teenage boy who is unhappy at home and is acting out. You want him to get in trouble. You might have him meet some kids from the wrong crowd, as they say, and steal a bunch of car parts. The climax of the first chapter could be his getting arrested at a gasoline station he and his buddies intend to burglarize. The end of the chapter could be the sound of the jail door clanging shut, a life-changing event. 

Of course, that is just Chapter One. He has to get in and out of more trouble before the story comes to its conclusion. You may want to cover his whole life, or just a summer, or just 24 hours. That is up to you. 

When I was writing MAGGIE COLLINS, I knew I wanted the two main characters to be in love and having trouble. I also wanted to introduce the killer. So I orchestrated two scenes. The first shows the hero and heroine embroiled in the case and arguing about their future together. The second scene shows the killer stalking a victim. 

As the story goes along, it gets deeper into the characters, deeper into their relationships, and deeper into the story problem. A famous thriller writer, Lee Child (a.k.a. Jim Grant, a former TV writer and director) says the best way to structure a story is around questions that you raise in the reader’s mind. 

In MAGGIE COLLINS, the first question is, Will the hero and heroine catch the killer? Oddly enough, the second question is, Will the killer find love? (His idea of love is twisted, to say the least.) 

Another thing you need to know, as a writer, is your theme. What is your book about? I needed to know, to keep from wandering off onto side paths and getting lost in the woods. 

I thought about the three main characters and what they want. The older detective, Dupree, is in love with a younger woman, Maggie. He wants to retire from the force and take her with him to live in Maine, literally in the woods. He wants a quiet life. 

But, alas, that is not what she wants, which is the danger and excitement of being a NYPD detective. In a way, she is a thrill seeker. She loves her job. 

What does the killer want? As I said, he wants true love. When he kidnaps women, he goes through a kind of ceremony that declares his love for them. If they don’t respond in exactly the way he wants them to, that brief relationship does not end well. 

So what, I asked myself, is my book about? I decided that my theme was the perversion of love. I put that on a sticky note above my computer, as a guide, so I wouldn’t forget. That helped a lot. That, and driving toward a plot point in each chapter. 

It isn’t easy. Good luck. You will need it. I sure did.

BIO: Roger Angle was nominated for a Pulitzer Prize his first year as a reporter and won the Random House short fiction contest in 1999. He grew up around cops and has always been fascinated by criminals, con-men, and desperados. He lives in Southern California. 

http://rogerangle.com/

“The Disappearance of Maggie Collins” is scheduled for publication on Halloween, Oct. 31, 2018, by Down & Out Books: 

https://downandoutbooks.com/

A brief description of the publisher: 

http://rawdogscreaming.com/small-press-spotlight-down-out-books/

 
Leave a comment

Posted by on October 22, 2018 in Guest Blogger, Writing

 

Guest Blogger: Lisa Black: CAUTION: CHILDREN AT PLAY

My current release revolves around a series of deaths at a juvenile detention facility—and seeing as I don’t even have children of my own, this represents a world I know nothing about. Much research was in order. 

cover

Among many other topics, I read a book about play therapy. Playing—unfettered, unstructured running around, preferably outside, is not only vital to a child’s development but vital to understanding what is going on in their lives. Apparently, children have as much trouble just being ‘themselves’ as adults do. We all bring a suitcase full of ideas and expectations into the room with us, ideas inherited from family life and other experiences. Watching how a child functions on the playground can give great insight as to how they’re functioning in their own mind. 

 child play 1

Every family assigns roles. Mom is the sensible one, while Dad is a soft touch. The oldest child is the go-getter and the middle one is the whiner. Sometimes these roles can be a good thing, providing support and encouragement, but no one wants a child to feel locked into only one way of being by the age of eight. At school, at activities, at play, a child should be able to experiment with alternative personalities, perhaps finding a better fit or at least rounding out the one they have. 

Making_friends

Here are some common family roles:

The sensible child is the one that’s helpful, cheerful, mature past his/her years. They’ve been encouraged to be mummy or daddy’s little helper and that’s wonderful, as far as it goes, until they begin to feel so burdened by this role as pseudo-adult that they miss being a little kid. They may begin to withdraw from others. This child would be helped by teachers and playgroup monitors giving him no responsibilities for a while, letting him be free to simply enjoy his childhood.

Another version of the sensible child has been forced into the role of peacemaker by warring parents. At home, this child tries to soften the parents’ messages to each other and perhaps distracts them by acting out so that they focus their aggravation on the child instead of the other parent. In the schoolyard, this child can try to manage their peers’ conflicts to the point where they’re told to butt out. While they may be initially hurt, it’s important to relieve them of the weight of constantly having to solve other people’s problems. 

custody

Every family has one—the black sheep, the sibling who always starts the fight or never does their homework or lets the goldfish die when it’s their turn to feed it. A scapegoat, who—not coincidentally—helps out by making everyone else look good by comparison. Sometimes this is due to, again, warring parents who enlist the child in their attacks—I’m not mad, but little Timmy was so disappointed that you weren’t here, that he missed the bus and forgot his lunch. Didn’t you, Tim?

Or the opposite—children who are good at everything they do. They allow their siblings to slack off and their parents to feel great about their parenting abilities. But the praise heaped upon them can become crushing if they come to believe the slightest stumble will render them unlovable. 

Similar to the scapegoat is the troublemaker, the one who starts fights and objects to the instructions. Troublemakers usually come from families in which there is a large and hard to manage the problem and it’s much easier for everyone’s psyche to define the problem as child #whatever. The child’s peers who might occasionally feel oppositional don’t have to be, because ‘the troublemaker’ will kick up a fuss for them. They relieve the stress of those around them but need to be guided into ways to relieve their own stress. 

Children’s behavior at play can tell you what you need to know about them. We only need to look more carefully.  

9 crop

Lisa Black spent the five happiest years of her life in a morgue. As a forensic scientist at the Cuyahoga County Coroner’s Office she analyzed many forms of trace evidence as well as crime scenes. Now she’s a certified latent print examiner and CSI in Florida and is the author of thirteen traditionally published novels. Some of which have been translated into six other languages, one has been optioned for film and one reached the NYT bestseller’s list. The latest is Suffer the Children, which involves forensic scientist Maggie Gardiner and homicide detective Jack Renner in a series of deaths inside a center for violent children. 

http://www.lisa-black.com

 

 
2 Comments

Posted by on August 23, 2018 in Crime Scene, Guest Blogger, Uncategorized

 

Guest Blogger: Dennis Palumbo: EROTOMANIA

EROTOMANIA: When the bad guy’s motive is a delusion

By Dennis Palumbo

Nietzsche once wrote, “There is always some madness in love. But there is also always some reason in madness.”

Perhaps. Then again, Nietzsche never met Sebastian Maddox, the villain in my latest suspense thriller, Head Wounds. It’s the fifth in my series about Daniel Rinaldi, a psychologist and trauma expert who consults with the Pittsburgh police.

What makes the brilliant, tech-savvy Maddox so relentlessly dangerous is that he’s in the grip of a rare delusion called erotomania, also known as De Clerambault’s Syndrome.

Simply put, erotomania is a disorder in which a person–in this case, Maddox–falsely believes that another person is in love with him, deeply, unconditionally, and usually secretly. The latter because this imaginary relationship must often be hidden due to some social, personal, or professional circumstances. Perhaps the object of this romantic obsession is married, or a superior at work. Sometimes it’s a famous athlete or media celebrity.

Not that these seeming roadblocks diminish the delusion. They can even provide a titillating excitement. Often, a person with erotomania believes his or her secret admirer is sending covert signals of their mutual love: wearing certain colors whenever a situation puts them together in public or doing certain gestures whose meaning is only known to the two of them. Some even believe they’re receiving telepathic messages from their imagined beloved.

What makes the delusion even more insidious is that the object of this romantic obsession, once he or she learns of it, is helpless to do anything about it. They can strenuously and repeatedly rebuff the delusional lover, denying that there’s anything going on between them, but nothing dissuades the other’s ardent devotion.

I know of one case wherein the recipient of these unwanted declarations of love was finally forced to call the police and obtain a restraining order. Even then, her obsessed lover said he understood that this action was a test of his love. A challenge from her to prove the constancy and sincerity of his feelings.

As psychoanalyst George Atwood once said of any delusion, “it’s a belief whose validity is not open to discussion.”

This is especially true of erotomania. People exhibiting its implacable symptoms can rarely be shaken from their beliefs.

Like Parsifal in his quest for the Holy Grail, nothing dissuades them from their mission.

Head-Wounds-300x500

In Head Wounds, Sebastian Maddox’s crusade–when thwarted in his desires–turns quite deadly and requires all of Rinaldi’s resourcefulness to save someone he cares about. In real life, the treatment options for the condition are limited to a combination of therapy and medication, usually antipsychotics like pimozide. If the symptoms appear to stem from an underlying cause, such as bipolar disorder, the therapeutic approach would also involve medication, typically lithium.

What makes erotomania so intriguing as a psychological condition, and so compelling in an antagonist in a thriller, is the delusional person’s ironclad conviction–the unshakeable certainty of his or her belief.

Nonetheless, as philosopher Charles Renouvier reminds us, “Plainly speaking, there is no such thing as certainty. There are only people who are certain.”

dennis-palumbo-2013

BIO: Formerly a Hollywood screenwriter (My Favorite Year; Welcome Back, Kotter, etc.), Dennis Palumbo is a licensed psychotherapist and author. His mystery fiction has appeared in Ellery Queen’s Mystery MagazineThe Strand and elsewhere, and is collected in From Crime to Crime (Tallfellow Press). His series of mystery thrillers (Mirror Image, Fever Dream, Night Terrors, Phantom Limb, and the latest, Head Wounds, all from Poisoned Pen Press), feature psychologist Daniel Rinaldi, a trauma expert who consults with the Pittsburgh Police. For more info, visit http://www.dennispalumbo.com 

 

Guest Blogger: Katherine Ramsland, Ph.D.: Killer Pen Pals

 

Killer Pen Pals

Whenever I give talks about my work, people sometimes ask how they can be pen pals with a serial killer. They’ve gotten hooked on true crime shows and they have the idea that because offenders are behind bars, they’re no longer dangerous. This would give the would-be correspondent a “safe” form of titillation and something cool to tell friends.

Sometimes, people just want to ease someone’s (or their own) loneliness. So, they look for an inmate who seeks connection.

I’m not talking about criminologists and journalists who correspond with killers to acquire information to improve our comprehension. I’m talking about people – especially kids – who think it would be fun to write to a killer. Often, they don’t grasp the potential consequences of having an offender focused on them. Not only do inmates know people on the outside whom they might persuade to be their proxy, but some of them eventually get out, too.

There are plenty of stories about pen pals becoming so enamored that they turn into prison groupies. In fact, in British news this week, a young pen pal from Poland supposedly became engaged to the ailing Yorkshire Ripper Peter Sutcliffe. He’s 72. She’s 17. This kind of bond can make a person more vulnerable to manipulation.

It doesn’t take much searching to find examples where such relationships have ended in murder. Phillip Carl Jablonski murdered his wife in 1978. He was serving a sentence for it when he placed an ad for a pen pal. Carol Spadoni answered it. In 1982, they got married while he was still in prison. He got out in 1990. A year later, he sexually assaulted and shot Carol’s mother and suffocated Carol with duct tape before stabbing her to death. (That same month, he also murdered two other women.)

These potentially violent inmates can hook people by talking about how lonely they are and how they’re looking for love. They promise that they’ve reformed, they’re “spiritual” now, and they just need a friend. Some pen pals want to give them a second chance. Laura Jean Torres offered a helping hand to violent ex-con Robert Hernandez, who’d served time for aggravated battery. Torres ended up fatally stabbed.

David Goodell, 33, murdered pen pal Viviana Tulli, 22. They’d met when she was 16 and began a relationship through correspondence when he went to prison for assault. Once Doodell was out on parole, they reunited. Their mutual affection was short-lived as he soon strangled her to death. Hoping to avoid prison, he decided to fake a fatal car crash. Putting sunglasses and a hat on Tulli’s corpse, he placed it in the front seat of her car. His staging failed and he was arrested. In 2013, he pleaded guilty.

Darren Pilkington, convicted of manslaughter at 18, had a reputation for being a troubled kid. From prison, he put out word that he wanted a pen pal, which got the attention of 15-year-old Carly Fairhurst, five years younger than him. When she was 16, she visited him in prison, and after he was freed, he moved in with her. He soon began to abuse her. In 2006, after they came home from a pub, they argued. Pilkington hit Carly and she fell down the stairs. He covered her, waiting until morning to call for help. She died a week later from her injuries.

And it’s not just females who are vulnerable.

In 2014, Scott Kratlian fatally strangled 82-year-old Harry Major, a former high school teacher. The men had become pen pals while Kratlian was serving a sentence for manslaughter. Upon his release, Major invited Kratlian to move in. That was a fatal mistake.

Then there was Thomas Knuff, on parole in Ohio after serving 15 years for armed robbery and home invasion. He’d become acquainted with John Mann, 65, and his girlfriend Regina Capobianco, 50, through a prison pen pal program. He’d asked them to pick him up. Since he had nowhere to go, they brought him to their home, where he tied them up and stabbed them, killing both. He then lived in their home, with the bodies, for a week.

Edward Andrews started a correspondence with Thomas Jeffrey Brooks, nearly forty years younger than him. Upon Brooks’ release in 2007, he moved into Andrews’ mobile home. They became lovers, or so Andrews believed. Brooks had other ideas. With an accomplice, he killed Andrews, wrapped his body in duct tape, entombed it in a cement egg in a former employer’s rock garden and drained Andrews’ bank accounts.

“It’s not shocking when inmates behave like criminals,” says former U. S. Probation Officer Sally Keglovits. “It’s what most people expect. Manipulation comes with the territory and it’s not difficult for them to project a sympathetic image while in prison. What is somewhat shocking is the number of people who invite and encourage manipulation. They fall in love with an image that an inmate created. Reality can slap them in the face, often literally, upon the inmate’s release.”

Although many offenders do benefit from a kind word and a helping hand, those people who wish to assist (or acquire a more serious friend) should learn the behavioral red flags. Past violence is among the best indicators of future violence. So is a lack of remorse for harming others, a history of deception, a lack of respect for others, and a tendency to blame others for one’s own behavioral issues. Convictions for murder, sexual or physical assault, home invasion and crimes involving deadly weapons all foreshadow a dim future with such offenders. Often, they have poor skills for inhibiting impulses and for negotiating in relationships.

More to the point, what they’re like behind bars is no indication of what they might be like once free. Those who seek to become an inmate’s pen pal need to educate themselves about risk factors.

Follow Katherine on Facebook: https://www.facebook.com/katherine.ramsland

Originally posted on Psychology Today: https://www.psychologytoday.com/us/blog/shadow-boxing/201807/killer-pen-pals

 

Guest Blogger: Sharon Torres: 7 Crime Novels That Show the Horrors of Addiction

Crime novel

7 Crime Novels that Show the Horrors of Addiction

Addiction has been a re-occurring theme in many works of fiction. It is a common human experience shared by many across the world, so it is no surprise that the theme appears in a large number of books. One genre that is partial to portraying addiction is the classic crime novel. Usually centered on detective characters with humanizing flaws, like Sherlock Holmes, crime novels make no attempt to shy away from the realities of addiction. They can take you on a journey that is both frightening and interesting at the same time.

When it comes to these all too common scenarios, many people find they may know someone who’s dealing with the horrors of addiction that are portrayed in these novels. If you know someone or you yourself are dealing with this, whether it’s an alcohol or opiates rehabs you’re looking for, you can get help. Let’s take a look at seven crime novels that show the horrors of addiction and see what happens to the main characters of each story.

crime scene

7. Dope by Sara Gran

Dope revolves around an ex-heroin addict and prostitute turned jewelry thief named Josephine Flannigan. She has quit heroin and prostitution, but still steals jewelry from local department stores in New York City to get by. A strange and wealthy couple searching for their estranged and addicted daughter offers Josephine thousands to track her down and bring her back. She must navigate a maze of addict houses, whorehouses, and dance halls in order to solve the mystery. This book provides a harrowing portrayal of the dangers of heroin addiction and how it can ruin someone’s life, but it also illustrates a heroine who is human and has conquered her addiction. Opiate rehabs offer help for those addicted to opiates, such as Dope’s Sara Gran.

6. Inspector Morse by Colin Dexter

The Inspector Morse series of crime novels by Colin Dexter also feature an addicted protagonist. In this case, the eponymous Inspector Endeavor Morse solves murders in a series of investigations. The books were so popular a successful detective drama television series, Inspector Morse, was spawned and ran from for 13 years from 1987 to 2000. Inspector Morse himself is a flawed character, and he is addicted to alcohol. As we will learn later on further down the list, the alcoholic detective is a trend in literature. This is the result of many factors, but the primary factor is likely the fact that giving a character a tragic flaw makes them more human and realistic. Alcoholism is a believable and common flaw that many have, and by no coincidence, writers are infamous as alcoholics.

5. The Next Right Thing by Dan Barden

More likely a novel about addiction than crime, The Next Right Thing by Dan Barden tells the story of a Californian carpenter named Randy Chalmers. Randy Chalmers, a recovered alcoholic, owes his life to his Alcoholic Anonymous sponsor and ex-police officer, Terry Elias. Terry Elias helped Randy Chalmers quit alcohol and take control of his life, but he is suddenly and mysteriously found dead of a heroin overdose after fifteen years of assumed sobriety. Randy is launched into a fact-finding quest to solve the mystery of the death of the man who saved his life. This book provides a terrifying portrayal of the horrors of addiction and an all-too-human tale of redemption and intrigue.

4. The Yiddish Policemen’s Union by Michael Chabon

A community of Jewish Holocaust refugees in the Alaskan panhandle is home to homicide detective, Meyer Landsman. Landsman leads a life of utter disrepair. He is addicted to alcohol, his marriage with his wife is a total disaster, and his career as a detective is fraught with lost cases and unsolved murders. After learning of a murder that occurred in the very hotel he is languishing in, he is spurned into a detective quest to redeem himself and solve the murder. The Yiddish Policemen’s Union offers the reader a sobering tale of alcoholism, a tale of love, a tale of redemption, and a tribute to classic noir novels. This book carries with it a gritty and realistic story of addiction and redemption that is sure to shock, intrigue, and enlighten the reader.

3. Flaggermusmannen by Jo Nesbø

Flaggermusmannen or The Bat is the first in a series of novels revolving around a Norwegian police investigator and alcoholic named Harry Hole. A young and famous female celebrity named Inger Holter has just been murdered in Australia and Harry Hole is called down to help solve the mystery. They eventually learn that the suspect is a serial killer and strangler who specifically targets women with blonde hair. As the plot thickens and more questions come up un-answered, Harry Hole falls deeper and deeper into alcoholism. The story, which was originally written in Norwegian and then translated into English, depicts a harrowing portrait of addiction and entertains with a suspenseful tale of murder and addiction.

2. A Study in Scarlet by Arthur Conan Doyle

Any list of crime novels would not be complete without at least one Sherlock Holmes book. A Study in Scarlet is a classic detective novel by Sir Arthur Conan Doyle that provides a gripping tale of a murder investigation by the famous detective. One striking feature of this particular Sherlock Holmes novel is the exploration of the detective’s addiction to an injected cocaine solution. Perhaps a more obscure flaw of detective Holmes is his addiction to cocaine. In this novel, Doyle describes Holmes lying about immobile for days and days on his sofa in the throes of cocaine addiction. His ever-faithful companion, Dr. Watson, eventually helps Holmes defeat his cocaine addiction, but he underlines his successes by saying, “the fiend was not dead, but sleeping;”

1. The Shining by Stephen King

A classic American horror novel and perhaps an even more famous Stanley Kubrick film, The Shining comes packaged with surreal, mind-bending horror, domestic abuse, family dysfunction, and the perils of alcohol addiction. Jack Torrance is an alcoholic on the road to recovery who must watch over a remote and enormous property with the company of his wife and children. As time progresses, Jack falls prey to a supernatural terror, relapses on his beloved gin martini, and is sent into a murderous rampage against his own family. There is no doubt that Stephen King has incorporated themes of alcoholism and the destructive effect it has on families.

Sharon Torres is a freelance writer who focuses on addiction and recovery. Her favorite author is Phillip K. Dick. You can find her blog here:

https://sharontorreswriter.blogspot.com/

 
 

Guest Blogger: Katherine Ramsland, Ph.D.: Redheads and Serial Killers

Redhead2

Redheads and Serial Killers

Several killing sprees have targeted women with red hair.

Last week came news that police in Texas and Louisiana are investigating whether a serial killer is killing and decapitating redheaded women. The heads were discovered in plastic bags, tossed near lakes 150 miles apart. On March 1, one was found in undergrowth near Lake Calcasieu, and the other turned up three weeks later near Lake Houston. Witnesses described a man who got out of a pick-up truck and stood on a bridge to toss a trash bag over the rail. Investigators hope to track him down. 

If it turns out that the same person is responsible for both, the case might be similar to a few others, like trucker Charles Floyd. On July 1, 1948, he broke into an apartment in Tulsa, Oklahoma, attacking a woman and her two teenage daughters. He raped her, but a neighbor interrupted, so he fled before he killed anyone. Down the street, Floyd cut a hole into the door of another home, entered and bludgeoned a woman to death. The victims all had red hair.

A witness outside the second house described Floyd to police and they traced him to where he worked at a trucking company. Under arrest, he admitted that redheaded women triggered an overwhelming lust in him. In fact, he said, he’d killed before. Six years earlier, Floyd had murdered the redheaded pregnant wife of a fellow trucker. Later that year, he’d raped and murdered a mother and daughter, both redheads. Two and a half years later, he’d killed a redhead he’d seen undressing in her apartment. Due to Floyd’s low IQ, a judge sentenced him to life in a mental institution.

Glen Edward Rodgers also seemed to have a thing for redheads. The “Cross Country Killer” traveled from state to state between 1993 and 1995. He’d cozy up to women and ask for a favor. He even moved in with one, briefly. He was convicted of five murders, but bragged that he’d murdered more than 70 people, including Nicole Brown Simpson. Four of his victims were women with reddish hair. It turns out that his mother was a redhead and Roger’s brother says that she’d rejected and abused him.

Then there’s a series of incidents known collectively as “the Redhead Murders.” You’ll find different ideas about who should be counted among the victims, but according to one source, this set of murders started in 1978 and possibly continued until 1992. Some people identify three victims, but others say there are more (between 6 and 11). Most were strangled and their bodies dumped along major highways, as if they’d been hitchhiking or offering services to truckers. One young mother who disappeared from her home, mentioned on some lists, was found years later in a river. Most of the victims remain unidentified.

Many believe that a serial killer is responsible for all of the victims, and some have suggested links to Glen Rogers. Two truckers became suspects, but both were cleared.

The FBI got involved in 1985 to investigate possible links among victims found in Pennsylvania, Tennessee, Arkansas and Mississippi. Linkage analysis turned up significant inconsistencies, such as their state of dress and evidence of sexual activity. The agency also ruled out a victim in Ohio and four in Texas. They did not solve the cases.

Jane Carlisle published a brief e-short, The Redhead Murders. She believed that the killer targeted victims who had no one who might come looking for them. This would suggest that the killer picked up redheads, queried them, and then decided to kill them based on satisfactory responses. Carlisle starts with a body discovery in 1983 in Virginia. The next one was in Arkansas. Several turned up in Tennessee in 1985. Only a few have been identified.

The murder in 1992 in Tennessee that some believe is linked involved a nun. An arrest was made, which undermined any link to the other redhead victims. Since most of the “Redhead Murders” remain unsolved, it’s not possible to know if a serial killer with a preference for redheads committed them, but it’s an intriguing mystery. 

Follow Katherine on Facebook: https://www.facebook.com/katherine.ramsland

Originally Posted on Shadow Boxing on the Psychology Today Blog

https://www.psychologytoday.com/us/blog/shadow-boxing/201805/redheads-and-serial-killers

SaveSave

 
 
%d bloggers like this: