Guest Blogger: Jodie Renner: Tension on Every Page. Part III

Tension on Every Page, Part III

In parts I and II of this series, we discussed the importance of showing tension on every page of your novel; specifically, creating a gripping opening, using bridging conflict, leaving out the boring bits, and making every scene compelling. Here, we’ll take it one step further to give tips on creating complex characters with complex problems, continually complicating the issues and raising the stakes, and writing a satisfying conclusion.

Create a complex, many-faceted, determined, sympathetic protagonist

Readers won’t start to worry about a character they don’t care about. Make your main character interesting, multidimensional, determined, clever, and likeable – but with inner conflicts – and give readers enough detail about him early on to make them empathize with him and start to bond with him.

Create complex problems with escalating conflict
The more complex and challenging the problems your protagonist faces, the more compelling a read it will be for your readers. And as your hero struggles to overcome the odds, raise the stakes even more. As Jessica Page Morrell says, “As your protagonist becomes more and more entangled in obstacles, make certain that what he fears most is on the stage. […] Then, as these fears are exposed, toss a wrench into his plan.”

And his problems and conflicts need to be difficult and complex enough so readers don’t see an immediate solution, which would dissipate all the tension. As Donald Maass says, “Easy-to-solve problems are easily forgotten. Complex conflicts, on the other hand, stick in our minds, nagging for our attention.”

Also, in terms of fiction technique, Maass specifies, “conflict must undergo complication. It must twist, turn, deepen and grow. Without that constant development, a novel, like a news event, will eventually lose its grip. To break out, simple plot structures need high stakes, complex characters, and layered conflicts.”

So how can you improve the plot of your breakout novel and make it more compelling? According to Maass, the solution is to “make conflict deeper, richer, more layered, more unavoidable, and more inescapably true.”

“In breakout fiction, the central conflict is as deep and as bad as it can possibly be.” – Donald Mass

 

The problems also need to be serious enough, and the antagonist clever, determined, and nasty enough that they’re worthy of your hero, so he’s sufficiently challenged to create a compelling story, and his struggle results in definite character development and growth. (See my article, “Creating a Worthy Antagonist”.)
Conclusion

In summary, Donald Maass spells out in detail the kind of ongoing, deepening tension needed for creating a page-turner, a breakout novel: “Conflict that holds our attention for long periods of time is meaningful, immediate, large scale, surprising, not easily resolved, and happens to people for whom we feel sympathy.”

On the other hand, “Problems that are abstract, remote, trivial, ordinary, easily overcome, and/or happening to someone for whom we feel little … cannot fuel a gripping novel.”

The five essential plot elements, according to Maass, are: sympathetic character, conflict, complications, climax, and resolution.

And of course, in fiction, we want all or most of the problems and conflicts to be resolved at the end, for greatest reader satisfaction – but preferably in a surprising way, with an unexpected plot twist, and resonance. As James Scott Bell say, “The key is to leave readers satisfied in an unpredictable way.”

Maass sums it up: “So, what is it about conflict that makes a story a story?

* It makes us care by bonding us to a character.
* It sustains our interest through constant development and escalation.
* Finally, at its unavoidable peak, it brings us face-to-face with our deepest anxieties.
*If we face them and prevail, our anxieties are relieved. In the resolution, we enjoy peace.”  (Jodie’s bullets)

Resources: James Scott Bell, Revision and Self-Editing; Donald Maass, Writing the Breakout Novel; Jessica Page Morrell, Thanks, But This Isn’t For Us.

Copyright © Jodie Renner, January 2, 2012

 

Jodie Renner is a freelance fiction editor who is always looking for another good fiction manuscript to help take to the next level. Her tagline is “Let’s work together to enhance and empower your writing.” Please visit Jodie’s website at www.JodieRennerEditing.com.